A Work Of Literary Merit
. . . has a distinctive voice and style
. . . raises social concerns
. . . moves from the particular to the universal
. . . has layered complexity and ambiguity
. . . deals with basic universal truths.
Rosemary Shautt, AP Community
. . . has a distinctive voice and style
. . . raises social concerns
. . . moves from the particular to the universal
. . . has layered complexity and ambiguity
. . . deals with basic universal truths.
Rosemary Shautt, AP Community
Helpful Links
- Glossary of Literary Theory - University of Toronto English Library
- The Hero's Journey - Mythic Structure of Joseph Campbell's Monomyth - Dan Bronzite - Movie Outline
- 12 Common Archetypal Characters - Soulcraft Co.
- Introductory Guide to Literary and Critical Theory - Purdue
- Literary Criticism - LiteraryHistory.com
- Lterary Terms - Kip Wheeler
- Literary Terms - Virtual Salt - Definitions and Examples
- Open Library - Internet Archive - OpenLibrary.org
- Pronunciation of Author's Names - TeachingBooks.net
Time to Read!
The Bulwer-Lytton Fiction Contest
"Wretched Writers Welcome"
Click HERE to enter a hilarious world of bad Writing!
Read the original quote below that started the love of bad first sentences!
“It was a dark and stormy night; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.” -- Edward George Bulwer-Lytton, Paul Clifford (1830)
Read the original quote below that started the love of bad first sentences!
“It was a dark and stormy night; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.” -- Edward George Bulwer-Lytton, Paul Clifford (1830)